(via sheiscruel)

pink-flood:

Salvador Dalí y Federico García Lorca - 1936

pink-flood:

Salvador Dalí y Federico García Lorca - 1936

Lorca and Dalí in Cadaques.
This photoshoot bursts with such marvelous Dalínean sassiness. There are no words.

Lorca and Dalí in Cadaques.

This photoshoot bursts with such marvelous Dalínean sassiness. There are no words.

(Source: sweetpuppets)

literarylust:

Lorca sitting in his Granada home in front of a painting given to him by Salvador Dali, 1925.

literarylust:

Lorca sitting in his Granada home in front of a painting given to him by Salvador Dali, 1925.

Salvador Dalí and Federico García Lorca in Cadaques.

(Source: darkglassyeye)

“Remember me when you are at the beach and above all when you paint crackling things and little ashes. Oh my little ashes! Put my name in the picture so that my name will serve for something in the word.”
Federico García Lorca to Salvador Dalí. (via theburnthatkeepseverything)
“Once my ear became acclimatized to Dalí’s voice, I realized, with [Antoni] Pitxot’s help, that he was telling me how much Federico García Lorca had loved him. The poet’s love for him had been intensely physical, he said. No question of mere affection. Dalí had tried to return the passion but was unable to. Instead Lorca had made love in Dalí’s presence…to the skinny but powerfully seductive Margarita Manso. He went on to recall the poet’s obsession with death and his famous, stage-by-stage enactments of his death, burial and putrefaction in Granada. Gala was hardly mentioned: it was Lorca who was on Dalí’s mind. I came away with the clear impression that Dalí’s friendship with the poet was perceived by him as one of the fundamental experiences in his life.”
— Ian Gibson, on meeting Salvador Dalí in January 1986, excerpted from The Shameful Life of Salvador Dalí (via inthegreenmorning)
inthegreenmorning:

Portrait of Dalí  by Federico García Lorca.
While Dalí began to write more, Lorca began to draw more and Dalí helped him to exhibit his paintings in Barcelona at the Dalmau Gallery in June 1927. Not only do his drawings from this show reflect the extent to which “[Lorca] had absorbed [Dalí’s] cubist aesthetic and…enthusiasm for surrealism,” but they also reveal the deep understanding of one another that these artists shared (Stainton 163). They developed their own “private vocabulary” of motifs and images in their letters to each other, such the meaning surrounding the figure of St. Sebastian, and experimented together with the same “surrealist techniques,” like “automatic writing and drawing” and with “dream images” (Stainton 168). Dalí was also a great source of encouragement to Lorca as he published his first poetry collections and praised his emerging plays and books (Stainton 151, 155).

inthegreenmorning:

Portrait of Dalí by Federico García Lorca.

While Dalí began to write more, Lorca began to draw more and Dalí helped him to exhibit his paintings in Barcelona at the Dalmau Gallery in June 1927. Not only do his drawings from this show reflect the extent to which “[Lorca] had absorbed [Dalí’s] cubist aesthetic and…enthusiasm for surrealism,” but they also reveal the deep understanding of one another that these artists shared (Stainton 163). They developed their own “private vocabulary” of motifs and images in their letters to each other, such the meaning surrounding the figure of St. Sebastian, and experimented together with the same “surrealist techniques,” like “automatic writing and drawing” and with “dream images” (Stainton 168). Dalí was also a great source of encouragement to Lorca as he published his first poetry collections and praised his emerging plays and books (Stainton 151, 155).

madeofmidnight:

Scanned from Federico García Lorca, Obras Completas: Recopilación y notas de Arturo Del Hoyo

madeofmidnight:

Scanned from Federico García Lorca, Obras Completas: Recopilación y notas de Arturo Del Hoyo

(via absinthemakesyouawhore)

Salvador Dalí and Federico García Lorca in Cadaqués.

Salvador Dalí and Federico García Lorca in Cadaqués.

(Source: cakecokecocaine)

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