artpedia:

Salvador Dali - Olive Trees. Landscape at Cadaqués, c.1922.Oil on canvas.

artpedia:

Salvador Dali - Olive Trees. Landscape at Cadaqués, c.1922.
Oil on canvas.

literarylust:

Lorca sitting in his Granada home in front of a painting given to him by Salvador Dali, 1925.

literarylust:

Lorca sitting in his Granada home in front of a painting given to him by Salvador Dali, 1925.

(Source: spooninginspace)

(via absinthemakesyouawhore)

(via vishn-u-deactivated20121024)

Salvador DalíSelf-portrait (1921)

Salvador Dalí
Self-portrait (1921)

(Source: art-and-fury)

avanelle:

Painted in the summer of 1929, The Accommodations of Desire is a small gem that deals with the twenty-five-year-old Dalí’s sexual anxieties over a love affair with an older, married woman. The woman, Gala, then the wife of Surrealist poet Paul Éluard, became Dalí’s lifelong muse and mate. In this picture, which Dalí painted after taking a walk alone with Gala, he included seven enlarged pebbles on which he envisioned what lay ahead for him: “terrorizing” lions’ heads (not so “accommodating” to his “desire” as the title of the painting facetiously suggests), as well as a toupee, various vessels (one in the shape of a woman’s head), three figures embracing on a platform, and a colony of ants (a symbol of decay). Dalí did not paint the lions’ heads but, rather, cut them out from what must have been an illustrated children’s book, slyly matching the latter’s detailed style with his own. These collaged elements are virtually indistinguishable from the super-saturated color and painstaking realism of the rest of the composition, startling the viewer into questioning the existence of the phenomena recorded and of the representation as a whole. 

avanelle:

Painted in the summer of 1929, The Accommodations of Desire is a small gem that deals with the twenty-five-year-old Dalí’s sexual anxieties over a love affair with an older, married woman. The woman, Gala, then the wife of Surrealist poet Paul Éluard, became Dalí’s lifelong muse and mate. In this picture, which Dalí painted after taking a walk alone with Gala, he included seven enlarged pebbles on which he envisioned what lay ahead for him: “terrorizing” lions’ heads (not so “accommodating” to his “desire” as the title of the painting facetiously suggests), as well as a toupee, various vessels (one in the shape of a woman’s head), three figures embracing on a platform, and a colony of ants (a symbol of decay). Dalí did not paint the lions’ heads but, rather, cut them out from what must have been an illustrated children’s book, slyly matching the latter’s detailed style with his own. These collaged elements are virtually indistinguishable from the super-saturated color and painstaking realism of the rest of the composition, startling the viewer into questioning the existence of the phenomena recorded and of the representation as a whole. 

d-a-l-i:

Penya-Segats (Woman on the Rocks), 1926

d-a-l-i:

Penya-Segats (Woman on the Rocks), 1926

(Source: )

Self-portrait, 1922Salvador Dalí 

Self-portrait, 1922
Salvador Dalí 

jenna-g16:

Salvador Dali and a friend. 

jenna-g16:

Salvador Dali and a friend. 

(Source: hello-fancy-schmancy)

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